Objets migrateurs, trésors sous influences. Peinture it is part of the

it is part of the national histories of France and England

whose main support is the analysis of the material productions of humans in all their forms: adornments

and carnival-goers in Rio

and even its specific spatial practices

Objets migrateurs, trésors sous influences. Peinture it is part of theWe are increasingly interested in objects as living beings, each with a biography. Nothing is less immobile than an object: migratory objects have always existed, whether they are men, gods, ideas, languages, music, cuisines, or things. Today, when, particularly in the Mediterranean, welcoming those we call "migrants" is the order of the day, it is a question of demonizing the idea of migration and showing how migratory objects serve to constitute